{"id":111,"date":"2010-05-23T20:58:00","date_gmt":"2010-05-24T03:58:00","guid":{"rendered":"https:\/\/juliafriedman.org\/?p=111"},"modified":"2010-05-23T20:58:00","modified_gmt":"2010-05-24T03:58:00","slug":"mamoru-sakagawa-retrospective","status":"publish","type":"post","link":"https:\/\/juliafriedman.org\/?p=111","title":{"rendered":"Mamoru Sakagawa Retrospective"},"content":{"rendered":"<div><\/div>\n<p><a onblur=\"try {parent.deselectBloggerImageGracefully();} catch(e) {}\" href=\"http:\/\/4.bp.blogspot.com\/_xQcUTpQ_yd4\/S_n99c2PUYI\/AAAAAAAAAYE\/qeqrsDy9QRI\/s1600\/DSC03174.JPG\"><img decoding=\"async\" style=\"display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;\" src=\"http:\/\/4.bp.blogspot.com\/_xQcUTpQ_yd4\/S_n99c2PUYI\/AAAAAAAAAYE\/qeqrsDy9QRI\/s400\/DSC03174.JPG\" border=\"0\" alt=\"\" id=\"BLOGGER_PHOTO_ID_5474686054203085186\" \/><\/a><\/p>\n<div style=\"text-align: justify;\"><span class=\"Apple-style-span\"  style=\"font-family:georgia;\"><span class=\"Apple-style-span\"  style=\"font-size:small;\">The Tokyo branch of the <\/span><\/span><a href=\"http:\/\/www.kodamagallery.com\/\"><span class=\"Apple-style-span\"  style=\"font-family:georgia;\"><span class=\"Apple-style-span\"  style=\"font-size:small;\">Kodama Gallery<\/span><\/span><\/a><span class=\"Apple-style-span\"  style=\"font-family:georgia;\"><span class=\"Apple-style-span\"  style=\"font-size:small;\"> is now showing the last nine years of Mamoru Sakagawa&#8217;s work. The objects range from the 2001 acrylics of muscle men, to drawings, to the latest experiments with india ink and fabric appliqu\u00e9. The oldest works, interestingly enough, suggest a loosely visceral quality in the artist&#8217;s approach: it is as if even when the actual anatomical visualization disappeared, the physicality transferred into the very process of looking.<\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Tokyo branch of the Kodama Gallery is now showing the last nine years of Mamoru Sakagawa&#8217;s work. The objects range from the 2001 acrylics of muscle men, to drawings, to the latest experiments with india ink and fabric appliqu\u00e9. The oldest works, interestingly enough, suggest a loosely visceral quality in the artist&#8217;s approach: it [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69,182],"tags":[],"class_list":["post-111","post","type-post","status-publish","format-standard","hentry","category-kodama-gallery","category-mamoru-sakagawa"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mamoru Sakagawa Retrospective - Julia Friedman<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/juliafriedman.org\/?p=111\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mamoru Sakagawa Retrospective - Julia Friedman\" \/>\n<meta property=\"og:description\" content=\"The Tokyo branch of the Kodama Gallery is now showing the last nine years of Mamoru Sakagawa&#8217;s work. The objects range from the 2001 acrylics of muscle men, to drawings, to the latest experiments with india ink and fabric appliqu\u00e9. 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