{"id":1745,"date":"2011-03-27T03:54:44","date_gmt":"2011-03-26T18:54:44","guid":{"rendered":"https:\/\/juliafriedman.org\/?p=1745"},"modified":"2011-03-27T04:08:17","modified_gmt":"2011-03-26T19:08:17","slug":"taka-ishii-gallery-kyoto","status":"publish","type":"post","link":"https:\/\/juliafriedman.org\/?p=1745","title":{"rendered":"Taka Ishii Gallery Kyoto"},"content":{"rendered":"<div class=\"posterous_autopost\">\n<div class=\"p_embed p_image_embed\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/posterous.com\/getfile\/files.posterous.com\/temp-2011-03-26\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\/nakaji01.jpg.scaled500.jpg\" alt=\"Nakaji01\" width=\"400\" height=\"528\" \/><\/div>\n<p><span style=\"color: #333333; font-family: Verdana; font-size: 12px; line-height: 21px;\">Nakaji Yasui,\u00a0(Gaze), 1931, Gelatin silver print<\/span><\/p>\n<p><strong>Nakaji Yasui at Taka Ishii Gallery Kyoto<\/strong><\/p>\n<p>March 25 \u2013 May 7, 2011<\/p>\n<p>Opening reception: Friday, March 25, 18:00 \u2013 20:00<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #333333; font-family: Verdana; font-size: 12px; line-height: 21px;\"><span style=\"line-height: 19px; font-size: 13px;\">Nakaji Yasui was active between the 1920s until the early 1940s, and worked primarily in West Japan; he is known as one of the leading figures in Japanese photographic history. During the early period when Japanese photography began to follow global tendencies, Nakaji Yasui enthusiastically engaged with new art theories, considering at an extremely in-depth level how these theories could be relevantly expanded into Japan at the time. Exerting a significant impact on notable contemporary photographers such as Daido Moriyama, Yasui\u2019s extent work provides an important viewpoint in considering the wider spheres of not only photography, but modern artistic practices. In comparison to his contemporaries, he did not produce many works in his lifetime, and only a limited number of prints exist today. However, with the portfolio\u2014in addition to his representative work,\u00a0<span style=\"font-family: Verdana; color: #333333; font-style: italic; padding: 0px; margin: 0px;\">Displaced Jews<\/span> and the\u00a0<span style=\"font-family: Verdana; color: #333333; font-style: italic; padding: 0px; margin: 0px;\">Yamane Circus<\/span> series\u2014we have included thirty modern prints that narrate the photographer\u2019s wide experimentation. This exhibition seeks to reveal a full, vivid portrait of Nakaji Yasui and the essence of his honed art. Also, with the assistance of Nakao Yasui, we will be specially exhibiting an original copy of the collotype printed<span style=\"font-family: Verdana; color: #333333; font-style: italic; padding: 0px; margin: 0px;\">Nakaji Yasui Complete Works <\/span>(1942), published immediately after his death.<\/span><\/span><\/p>\n<div class=\"container\" style=\"font-family: Verdana; color: #333333; text-align: justify; padding: 0px; margin: 0px;\">\n<div class=\"text\" style=\"padding-top: 0.5em; padding-right: 0px; padding-bottom: 20px; padding-left: 0px; font-family: Verdana; color: #333333; float: left; text-align: left; margin: 0px;\">\n<p style=\"font-family: Verdana; color: #333333; text-align: justify; padding: 0px; margin: 0px;\">This exhibition features 30 works included in\u00a0<span style=\"font-family: Verdana; color: #333333; font-style: italic; padding: 0px; margin: 0px;\">Nakaji Yasui Portfolio<\/span>, published by Taka Ishii Gallery in Autumn 2010.<\/p>\n<\/div>\n<div class=\"text\" style=\"padding-top: 0.5em; padding-right: 0px; padding-bottom: 20px; padding-left: 0px; font-family: Verdana; color: #333333; float: left; text-align: justify; margin: 0px;\">\n<p class=\"uline\" style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\"><strong>Nakaji Yasui Portfolio<\/strong><br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Publication: Taka Ishii Gallery\u00a0<br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Editorial Supervision: Yuri Mitsuda (Curator at The Shoto Museum of Art)\u00a0<br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Cooperation: Nakao Yasui and Hyogo Prefectural Museum of Art\u00a0<br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Print Production: Kazuyoshi Hidai (GINYUDO)\u00a0<br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Number of Works: Total of 30 pieces\u00a0<br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Print size: 432 x 356 mm\u00a0<br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Publication Edition of 15\u00a0<br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Essays, commentary and biography are included\u00a0<br style=\"font-family: Verdana; color: #333333; padding: 0px; margin: 0px;\" \/>Retail price: \u00a5 1,500,000- (excl. tax)<\/p>\n<\/div>\n<\/div>\n<p style=\"text-align: justify;\">\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nakaji Yasui,\u00a0(Gaze), 1931, Gelatin silver print Nakaji Yasui at Taka Ishii Gallery Kyoto March 25 \u2013 May 7, 2011 Opening reception: Friday, March 25, 18:00 \u2013 20:00 Nakaji Yasui was active between the 1920s until the early 1940s, and worked primarily in West Japan; he is known as one of the leading figures in Japanese [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[475],"tags":[],"class_list":["post-1745","post","type-post","status-publish","format-standard","hentry","category-taka-ishii-gallery"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Taka Ishii Gallery Kyoto - Julia Friedman<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/juliafriedman.org\/?p=1745\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Taka Ishii Gallery Kyoto - Julia Friedman\" \/>\n<meta property=\"og:description\" content=\"Nakaji Yasui,\u00a0(Gaze), 1931, Gelatin silver print Nakaji Yasui at Taka Ishii Gallery Kyoto March 25 \u2013 May 7, 2011 Opening reception: Friday, March 25, 18:00 \u2013 20:00 Nakaji Yasui was active between the 1920s until the early 1940s, and worked primarily in West Japan; he is known as one of the leading figures in Japanese [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/juliafriedman.org\/?p=1745\" \/>\n<meta property=\"og:site_name\" content=\"Julia Friedman\" \/>\n<meta property=\"article:published_time\" content=\"2011-03-26T18:54:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2011-03-26T19:08:17+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/posterous.com\/getfile\/files.posterous.com\/temp-2011-03-26\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\/nakaji01.jpg.scaled500.jpg\" \/>\n<meta name=\"author\" content=\"jfriedman\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"jfriedman\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745\"},\"author\":{\"name\":\"jfriedman\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/#\\\/schema\\\/person\\\/9120ffb6bd1d9684130c3eed0e059423\"},\"headline\":\"Taka Ishii Gallery Kyoto\",\"datePublished\":\"2011-03-26T18:54:44+00:00\",\"dateModified\":\"2011-03-26T19:08:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745\"},\"wordCount\":295,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/posterous.com\\\/getfile\\\/files.posterous.com\\\/temp-2011-03-26\\\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\\\/nakaji01.jpg.scaled500.jpg\",\"articleSection\":[\"Taka Ishii Gallery\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/juliafriedman.org\\\/?p=1745#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745\",\"url\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745\",\"name\":\"Taka Ishii Gallery Kyoto - Julia Friedman\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/posterous.com\\\/getfile\\\/files.posterous.com\\\/temp-2011-03-26\\\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\\\/nakaji01.jpg.scaled500.jpg\",\"datePublished\":\"2011-03-26T18:54:44+00:00\",\"dateModified\":\"2011-03-26T19:08:17+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/#\\\/schema\\\/person\\\/9120ffb6bd1d9684130c3eed0e059423\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/juliafriedman.org\\\/?p=1745\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=1745#primaryimage\",\"url\":\"http:\\\/\\\/posterous.com\\\/getfile\\\/files.posterous.com\\\/temp-2011-03-26\\\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\\\/nakaji01.jpg.scaled500.jpg\",\"contentUrl\":\"http:\\\/\\\/posterous.com\\\/getfile\\\/files.posterous.com\\\/temp-2011-03-26\\\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\\\/nakaji01.jpg.scaled500.jpg\"},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/#website\",\"url\":\"https:\\\/\\\/juliafriedman.org\\\/\",\"name\":\"Julia Friedman\",\"description\":\"Art History and Contemporary Art\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/juliafriedman.org\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/#\\\/schema\\\/person\\\/9120ffb6bd1d9684130c3eed0e059423\",\"name\":\"jfriedman\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0cf77d93238e5347982ad42865cd8df61e2924b6583223548a94b3e12a098d78?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0cf77d93238e5347982ad42865cd8df61e2924b6583223548a94b3e12a098d78?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0cf77d93238e5347982ad42865cd8df61e2924b6583223548a94b3e12a098d78?s=96&d=mm&r=g\",\"caption\":\"jfriedman\"},\"url\":\"https:\\\/\\\/juliafriedman.org\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Taka Ishii Gallery Kyoto - Julia Friedman","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/juliafriedman.org\/?p=1745","og_locale":"en_US","og_type":"article","og_title":"Taka Ishii Gallery Kyoto - Julia Friedman","og_description":"Nakaji Yasui,\u00a0(Gaze), 1931, Gelatin silver print Nakaji Yasui at Taka Ishii Gallery Kyoto March 25 \u2013 May 7, 2011 Opening reception: Friday, March 25, 18:00 \u2013 20:00 Nakaji Yasui was active between the 1920s until the early 1940s, and worked primarily in West Japan; he is known as one of the leading figures in Japanese [&hellip;]","og_url":"https:\/\/juliafriedman.org\/?p=1745","og_site_name":"Julia Friedman","article_published_time":"2011-03-26T18:54:44+00:00","article_modified_time":"2011-03-26T19:08:17+00:00","og_image":[{"url":"http:\/\/posterous.com\/getfile\/files.posterous.com\/temp-2011-03-26\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\/nakaji01.jpg.scaled500.jpg","type":"","width":"","height":""}],"author":"jfriedman","twitter_card":"summary_large_image","twitter_misc":{"Written by":"jfriedman","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/juliafriedman.org\/?p=1745#article","isPartOf":{"@id":"https:\/\/juliafriedman.org\/?p=1745"},"author":{"name":"jfriedman","@id":"https:\/\/juliafriedman.org\/#\/schema\/person\/9120ffb6bd1d9684130c3eed0e059423"},"headline":"Taka Ishii Gallery Kyoto","datePublished":"2011-03-26T18:54:44+00:00","dateModified":"2011-03-26T19:08:17+00:00","mainEntityOfPage":{"@id":"https:\/\/juliafriedman.org\/?p=1745"},"wordCount":295,"commentCount":0,"image":{"@id":"https:\/\/juliafriedman.org\/?p=1745#primaryimage"},"thumbnailUrl":"http:\/\/posterous.com\/getfile\/files.posterous.com\/temp-2011-03-26\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\/nakaji01.jpg.scaled500.jpg","articleSection":["Taka Ishii Gallery"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/juliafriedman.org\/?p=1745#respond"]}]},{"@type":"WebPage","@id":"https:\/\/juliafriedman.org\/?p=1745","url":"https:\/\/juliafriedman.org\/?p=1745","name":"Taka Ishii Gallery Kyoto - Julia Friedman","isPartOf":{"@id":"https:\/\/juliafriedman.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/juliafriedman.org\/?p=1745#primaryimage"},"image":{"@id":"https:\/\/juliafriedman.org\/?p=1745#primaryimage"},"thumbnailUrl":"http:\/\/posterous.com\/getfile\/files.posterous.com\/temp-2011-03-26\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\/nakaji01.jpg.scaled500.jpg","datePublished":"2011-03-26T18:54:44+00:00","dateModified":"2011-03-26T19:08:17+00:00","author":{"@id":"https:\/\/juliafriedman.org\/#\/schema\/person\/9120ffb6bd1d9684130c3eed0e059423"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/juliafriedman.org\/?p=1745"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/juliafriedman.org\/?p=1745#primaryimage","url":"http:\/\/posterous.com\/getfile\/files.posterous.com\/temp-2011-03-26\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\/nakaji01.jpg.scaled500.jpg","contentUrl":"http:\/\/posterous.com\/getfile\/files.posterous.com\/temp-2011-03-26\/llleAyiiHjwtozHqubzmufkibwqrqmdftcFEClxyuHkjHdxijtAFEaDFcDjG\/nakaji01.jpg.scaled500.jpg"},{"@type":"WebSite","@id":"https:\/\/juliafriedman.org\/#website","url":"https:\/\/juliafriedman.org\/","name":"Julia Friedman","description":"Art History and Contemporary Art","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/juliafriedman.org\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/juliafriedman.org\/#\/schema\/person\/9120ffb6bd1d9684130c3eed0e059423","name":"jfriedman","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/0cf77d93238e5347982ad42865cd8df61e2924b6583223548a94b3e12a098d78?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0cf77d93238e5347982ad42865cd8df61e2924b6583223548a94b3e12a098d78?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0cf77d93238e5347982ad42865cd8df61e2924b6583223548a94b3e12a098d78?s=96&d=mm&r=g","caption":"jfriedman"},"url":"https:\/\/juliafriedman.org\/?author=1"}]}},"_links":{"self":[{"href":"https:\/\/juliafriedman.org\/index.php?rest_route=\/wp\/v2\/posts\/1745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliafriedman.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliafriedman.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliafriedman.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliafriedman.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1745"}],"version-history":[{"count":4,"href":"https:\/\/juliafriedman.org\/index.php?rest_route=\/wp\/v2\/posts\/1745\/revisions"}],"predecessor-version":[{"id":1749,"href":"https:\/\/juliafriedman.org\/index.php?rest_route=\/wp\/v2\/posts\/1745\/revisions\/1749"}],"wp:attachment":[{"href":"https:\/\/juliafriedman.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliafriedman.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliafriedman.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}