{"id":2372,"date":"2013-02-12T14:37:00","date_gmt":"2013-02-12T05:37:00","guid":{"rendered":"https:\/\/juliafriedman.org\/?p=2372"},"modified":"2013-02-12T14:40:41","modified_gmt":"2013-02-12T05:40:41","slug":"101st-annual-college-art-association-conference-paper","status":"publish","type":"post","link":"https:\/\/juliafriedman.org\/?p=2372","title":{"rendered":"101st Annual College Art Association Conference Paper"},"content":{"rendered":"<p><a href=\"https:\/\/juliafriedman.org\/?attachment_id=2371\" rel=\"attachment wp-att-2371\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-2371\" title=\"Chim Pom\" src=\"https:\/\/juliafriedman.org\/wp-content\/uploads\/2013\/02\/jA89FenXQPWkT-qBr9798jl72eJkfbmt4t8yenImKBVaiQDB_Rd1H6kmuBWtceBJ-400x265.jpg\" alt=\"\" width=\"400\" height=\"265\" \/><\/a><\/p>\n<p>Chim\u2191Pom reenact their \u201c100 Kiai\u201d (100 Cheers). Photo courtesy Gadabout.<\/p>\n<p>February 15th I will be giving a paper on Disaster and Creativity panel at the 101st Annual CAA Conference. Here is the short abstract:<\/p>\n<p>\u201cBetween Awe and Anger: Young Japanese Artists Respond to Tohoku and Fukushima\u201d<\/p>\n<p>Artistic responses to the twin disasters that struck Northeastern Japan in March of 2011 span the spectrum from aestheticizing the awesome forces of nature to condemnation of human ineptitude and industrial-political collusion. Chihiro Kabata\u2019s series of large-scale paintings depict glistening black water ripples washing back dimly after a climactic surge in which so many lives were instantly obliterated by the wall of murky water.<\/p>\n<p>A different response to the man-made and still ongoing disaster at the Fukushima Daiichi nuclear plant is by the Tokyo-based collective Chim\u2191Pom, whose clandestine insertion of the smoking Fukushima reactor into Taro Okamoto\u2019s 1969 anti-nuclear mural at Tokyo\u2019s Shibuya station landed them in legal trouble. In contrast to Kabata\u2019s existentialist awe at the omnipotence of nature, Chim\u2191Pom\u2019s reaction is a social critique. Their focus is the mismanagement of atomic power. Yet, ultimately, both Kabata and Chim\u2191Pom contribute to forming the collective memory of the disasters.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chim\u2191Pom reenact their \u201c100 Kiai\u201d (100 Cheers). Photo courtesy Gadabout. February 15th I will be giving a paper on Disaster and Creativity panel at the 101st Annual CAA Conference. Here is the short abstract: \u201cBetween Awe and Anger: Young Japanese Artists Respond to Tohoku and Fukushima\u201d Artistic responses to the twin disasters that struck Northeastern [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[573,761,498,574,575,499,559,756,572,571],"class_list":["post-2372","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-caa","tag-chihiro-kabata","tag-chimpom","tag-college-art-association-2013","tag-disaster-and-creativity","tag-fukushima-art","tag-japanese-art","tag-julia-friedman","tag-romanticism","tag-tohoku-earthquake"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>101st Annual College Art Association Conference Paper - Julia Friedman<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/juliafriedman.org\/?p=2372\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"101st Annual College Art Association Conference Paper - Julia Friedman\" \/>\n<meta property=\"og:description\" content=\"Chim\u2191Pom reenact their \u201c100 Kiai\u201d (100 Cheers). Photo courtesy Gadabout. February 15th I will be giving a paper on Disaster and Creativity panel at the 101st Annual CAA Conference. 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