{"id":3288,"date":"2018-06-14T00:40:47","date_gmt":"2018-06-13T15:40:47","guid":{"rendered":"https:\/\/juliafriedman.org\/?p=3288"},"modified":"2018-10-25T02:36:09","modified_gmt":"2018-10-24T17:36:09","slug":"some-summer-reading-suggestions","status":"publish","type":"post","link":"https:\/\/juliafriedman.org\/?p=3288","title":{"rendered":"Summer reading suggestions"},"content":{"rendered":"

A couple of months ago I came across a fascinating little book published by Frieze in 1998. It was a bibliography intended to help young artists to become better young artists. The material was solicited from a few dozen art world people (artists, critics, curators) by Jerry Saltz, who also edited the volume. The same week I came across a more current mini-bibliography, also for the benefit of young artist. My article<\/a> on the contrast between the two, and what this contrasts tells us about the shift of values, was just published in The New Criterion<\/em>.<\/p>\n

\"\"<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

A couple of months ago I came across a fascinating little book published by Frieze in 1998. It was a bibliography intended to help young artists to become better young artists. The material was solicited from a few dozen art world people (artists, critics, curators) by Jerry Saltz, who also edited the volume. The same […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[903],"tags":[834,866,884,877,451,851,891,876,883,870,880,871,868,886,881,885,879,889,888,878,873,872,869,887,882,890,875,630,874,867],"class_list":["post-3288","post","type-post","status-publish","format-standard","hentry","category-the-new-criterion","tag-art-world","tag-books","tag-charles-ray","tag-cindy-sherman","tag-dave-hickey","tag-david-batchelor","tag-david-sylvester","tag-ed-ruscha","tag-elizabeth-peyton","tag-hilton-als","tag-jeff-koons","tag-jeremy-golbert-rolfe","tag-jerry-saltz","tag-kara-walker","tag-laura-owens","tag-luc-tuymans","tag-matthew-barney","tag-nancy-spector","tag-paul-schimmer","tag-peter-doig","tag-peter-plagens","tag-peter-schjeldahl","tag-pulitzer-prize","tag-rachel-whiteread","tag-raymond-pettiblon","tag-robert-storr","tag-rony-horn","tag-the-new-criterion","tag-vito-acconci","tag-young-artists"],"yoast_head":"\nSummer reading suggestions - Julia Friedman<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/juliafriedman.org\/?p=3288\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Summer reading suggestions - Julia Friedman\" \/>\n<meta property=\"og:description\" content=\"A couple of months ago I came across a fascinating little book published by Frieze in 1998. It was a bibliography intended to help young artists to become better young artists. The material was solicited from a few dozen art world people (artists, critics, curators) by Jerry Saltz, who also edited the volume. 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