{"id":3305,"date":"2018-10-03T04:57:54","date_gmt":"2018-10-02T19:57:54","guid":{"rendered":"https:\/\/juliafriedman.org\/?p=3305"},"modified":"2021-09-11T18:33:53","modified_gmt":"2021-09-12T01:33:53","slug":"new-publication-annie-lapin-the-archeology-of-meaning","status":"publish","type":"post","link":"https:\/\/juliafriedman.org\/?p=3305","title":{"rendered":"Annie Lapin: The Archeology of Meaning"},"content":{"rendered":"<p><a href=\"http:\/\/www.milesmcenery.com\" target=\"_blank\" rel=\"noopener\">Miles McEnery Gallery&#8217;<\/a>s latest <a href=\"http:\/\/www.milesmcenery.com\/publications\/annie-lapin\" target=\"_blank\" rel=\"noopener\">publication<\/a> contains an essay I wrote about the Los Angeles based painter <a href=\"http:\/\/www.honorfraser.com\/?s=artists&amp;aid=25\" target=\"_blank\" rel=\"noopener\">Annie Lapin<\/a>. In the essay, I place Lapin&#8217;s latest body of work &#8220;The Art of Heads and Hands&#8221; in the context of Henri Focillon&#8217;s theories about the life of forms in art. Hard copy of the catalogue is available through the gallery.\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-3314\" src=\"https:\/\/juliafriedman.org\/wp-content\/uploads\/2018\/10\/Screen-Shot-2018-10-02-at-2.07.23-PM-400x300.png\" alt=\"\" width=\"400\" height=\"300\" srcset=\"https:\/\/juliafriedman.org\/wp-content\/uploads\/2018\/10\/Screen-Shot-2018-10-02-at-2.07.23-PM-400x300.png 400w, https:\/\/juliafriedman.org\/wp-content\/uploads\/2018\/10\/Screen-Shot-2018-10-02-at-2.07.23-PM-768x576.png 768w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>To read the essay, click on the ISSUU screen below.\u00a0<\/p>\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-issuu wp-block-embed-issuu\"><div class=\"wp-block-embed__wrapper\">\n<div data-url=\"https:\/\/issuu.com\/amy-nyc\/docs\/annie_lapin_2018_pages\" style=\"width: 500px; height: 214px;\" class=\"issuuembed\"><\/div><script type=\"text\/javascript\" src=\"\/\/e.issuu.com\/embed.js\" async=\"true\"><\/script>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Miles McEnery Gallery&#8217;s latest publication contains an essay I wrote about the Los Angeles based painter Annie Lapin. In the essay, I place Lapin&#8217;s latest body of work &#8220;The Art of Heads and Hands&#8221; in the context of Henri Focillon&#8217;s theories about the life of forms in art. Hard copy of the catalogue is available [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[908,904,909],"tags":[893,225,895,894,764],"class_list":["post-3305","post","type-post","status-publish","format-standard","hentry","category-annie-lapin","category-art-criticism","category-miles-mcenery-gallery","tag-annie-lapin","tag-art-history","tag-henri-focillon","tag-miles-mcenery-gallery","tag-painting"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Annie Lapin: The Archeology of Meaning - Julia Friedman<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/juliafriedman.org\/?p=3305\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Annie Lapin: The Archeology of Meaning - Julia Friedman\" \/>\n<meta property=\"og:description\" content=\"Miles McEnery Gallery&#8217;s latest publication contains an essay I wrote about the Los Angeles based painter Annie Lapin. In the essay, I place Lapin&#8217;s latest body of work &#8220;The Art of Heads and Hands&#8221; in the context of Henri Focillon&#8217;s theories about the life of forms in art. 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