{"id":4534,"date":"2022-10-26T19:51:19","date_gmt":"2022-10-27T02:51:19","guid":{"rendered":"https:\/\/juliafriedman.org\/?p=4534"},"modified":"2022-10-26T20:28:36","modified_gmt":"2022-10-27T03:28:36","slug":"smackdown-101","status":"publish","type":"post","link":"https:\/\/juliafriedman.org\/?p=4534","title":{"rendered":"Smackdown 101"},"content":{"rendered":"\n<p><em>Quillette<\/em> just published my <a href=\"https:\/\/quillette.com\/2022\/10\/25\/poetic-justice\/?fbclid=IwAR3z312mhY-1aRWbAGBLF5luN4vRyo6teQDwiAlZZd92O-pEHrfVFFe0m9M\" target=\"_blank\" rel=\"noreferrer noopener\">article<\/a> about Ben Sakoguchi&#8217;s spectacular smackdown of literalist curators.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/quillette.com\/2022\/10\/25\/poetic-justice\/?fbclid=IwAR3z312mhY-1aRWbAGBLF5luN4vRyo6teQDwiAlZZd92O-pEHrfVFFe0m9M\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"468\" src=\"https:\/\/juliafriedman.org\/wp-content\/uploads\/2022\/10\/Screen-Shot-2022-10-26-at-7.03.35-PM-400x468.png\" alt=\"\" class=\"wp-image-4535\" srcset=\"https:\/\/juliafriedman.org\/wp-content\/uploads\/2022\/10\/Screen-Shot-2022-10-26-at-7.03.35-PM-400x468.png 400w, https:\/\/juliafriedman.org\/wp-content\/uploads\/2022\/10\/Screen-Shot-2022-10-26-at-7.03.35-PM.png 516w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-drop-cap\">Sakoguchi was invited to participate in the revived California Biennial, to be held at the Orange County Museum of Art, which was reopening with great fanfare in a brand new $94 million Morphosis-designed building.&nbsp;The curators had selected a his 16-panel polyptych titled&nbsp;<em>Comparative Religions 101<\/em>, but But with all the paperwork completed and the artwork ready to ship, Sakoguchi was informed that OCMA\u2019s Education Department had \u201craised questions about the content of his submission.\u201d The painting contained images of swastikas. Sakoguchi was handed a list of 17 questions the museum wanted him to answer.&nbsp; Three days after submitting his written responses, Sakoguchi was informed that&nbsp;<em>Comparative Religions 101<\/em>&nbsp;would not be included in the show \u201cbecause the museum will not show any work that depicts a swastika.\u201d Having accused an 85-year-old survivor of a Japanese internment camp of hate speech, the curators\u2019 ensuing scramble to save face was tragicomic. <\/p>\n\n\n\n<p>Matt Stromberg\u2019s&nbsp;<a href=\"https:\/\/hyperallergic.com\/768572\/ben-sakoguchi-painting-rejected-from-california-biennial-over-swastika\/\">comprehensive account<\/a>&nbsp;of the exchanges between the Biennial curators, museum staff, the artist\u2019s studio and his dealers reconstructs the drama that played out between the September 12th rejection and the opening of the Biennial two weeks later. Stromberg recounts the predictable shifting of blame between museum administrators and exhibition curators, the bid to secure a different work by Sakoguchi (declined), the attempts to go behind his back to obtain work from his dealers (unsuccessful), and finally a groveling email imploring the artist to re-enter the offending painting into the exhibition (denied). The California Biennial debacle was a face-off between pedants and poets, and this time the poet won.<\/p>\n\n\n\n<p>To read full article click on the image above.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quillette just published my article about Ben Sakoguchi&#8217;s spectacular smackdown of literalist curators. Sakoguchi was invited to participate in the revived California Biennial, to be held at the Orange County Museum of Art, which was reopening with great fanfare in a brand new $94 million Morphosis-designed building.&nbsp;The curators had selected a his 16-panel polyptych titled&nbsp;Comparative [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1094,1],"tags":[1091,1092,838,451,1093],"class_list":["post-4534","post","type-post","status-publish","format-standard","hentry","category-censorship","category-uncategorized","tag-ben-sakoguchi","tag-california-biennial","tag-censorship","tag-dave-hickey","tag-iain-mcgilchrist"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Smackdown 101 - Julia Friedman<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/juliafriedman.org\/?p=4534\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Smackdown 101 - Julia Friedman\" \/>\n<meta property=\"og:description\" content=\"Quillette just published my article about Ben Sakoguchi&#8217;s spectacular smackdown of literalist curators. Sakoguchi was invited to participate in the revived California Biennial, to be held at the Orange County Museum of Art, which was reopening with great fanfare in a brand new $94 million Morphosis-designed building.&nbsp;The curators had selected a his 16-panel polyptych titled&nbsp;Comparative [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/juliafriedman.org\/?p=4534\" \/>\n<meta property=\"og:site_name\" content=\"Julia Friedman\" \/>\n<meta property=\"article:published_time\" content=\"2022-10-27T02:51:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-10-27T03:28:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/juliafriedman.org\/wp-content\/uploads\/2022\/10\/Screen-Shot-2022-10-26-at-7.03.35-PM-400x468.png\" \/>\n<meta name=\"author\" content=\"jfriedman\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"jfriedman\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=4534#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=4534\"},\"author\":{\"name\":\"jfriedman\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/#\\\/schema\\\/person\\\/9120ffb6bd1d9684130c3eed0e059423\"},\"headline\":\"Smackdown 101\",\"datePublished\":\"2022-10-27T02:51:19+00:00\",\"dateModified\":\"2022-10-27T03:28:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=4534\"},\"wordCount\":290,\"image\":{\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=4534#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/juliafriedman.org\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/Screen-Shot-2022-10-26-at-7.03.35-PM-400x468.png\",\"keywords\":[\"Ben Sakoguchi\",\"California Biennial\",\"censorship\",\"Dave Hickey\",\"Iain McGilchrist\"],\"articleSection\":[\"Censorship\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/juliafriedman.org\\\/?p=4534\",\"url\":\"https:\\\/\\\/juliafriedman.org\\\/?p=4534\",\"name\":\"Smackdown 101 - 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