Archive for April 2016
Photos From Scottsdale Museum of Contemporary Art (SMoCA) Lecture With Julia Friedman 03.31.2016
Photos by Neil A. Miller, Rafael Navarro, and Ellee Bokharachi .
Julia Friedman
Art History and Contemporary Art
-
-
-
The great modernist eccentric Alexei Remizov was a “writers’ writer” whose innovative poetic prose has long since entered the Russian literary canon. Gradually expanding his working methods to make drawing an integral part of the writing process, during the 1930s and 1940s, Remizov created hundreds of albums that combined texts with collages and india ink and watercolor illustrations. (more) Northwestern University Press 7 x 10, 300 pgs, Trade Cloth ISBN 0-8101-2617-6 / $69.95
Between June 2014 and April 2015, Dave Hickey posted almost 3,000 digital comments on social media, prompting nearly 700,000 words in response from art lovers, acolytes, and skeptics. Wasted Words is an unedited comprehensive transcript of these exchanges. This polyphonic digital discourse reveals the range of Hickey’s strong opinions, as he embarks on a crypto-enlightenment project for the benefit of "dunces" and "pricks." Paperback, 586 pages, 2016 ISBN-10: 1517287103
Dustbunnies is an assemblage of “swept up” fragments that came from a vast digital discourse that took place in Dave Hickey’s social media space between June 2014 and March 2015. During that time Hickey posted almost 3,000 comments, prompting nearly 700,000 words in response from art lovers, acolytes and skeptics. Wasted Words, the resulting volume, is an unedited comprehensive transcript of these exchanges. Its pendant publication, Dustbunnies, distills Hickey’s richly aphoristic comments, extracted from various discussion threads. Paperback, 124 pages, 2016 ISBN-10: 152327266X
Celebrating the 100th birthday of one of America's most respected and beloved artists, Wayne Thiebaud 100: Paintings, Prints, and Drawings honors a lifetime of extraordinary achievements across many genres. Best known for his tantalizing paintings of desserts, Thiebaud has long been affiliated with Pop Art, though his body of work is far more expansive, continuing to grow as the artist approaches his milestone birthday. Across the decades, Thiebaud has explored various details of American life through his art from urban views and rural landscapes to clowns and household items all the time continuing to explore the food subjects that made him famous. Wayne Thiebaud 100 accompanies an exhibition of the same name, organized by the Crocker Art Museum. In addition to the 100 paintings, prints, and drawings featured in the exhibition, this publication includes numerous other contextual paintings by Thiebaud, art by the masters who inspired him, and photographs of the artist with family and friends, taken over the course of his extraordinary career. Hardcover : 212 pages ISBN-10 : 1087501172 Dimensions : 9.8 x 0.9 x 11.3 inches ISBN-13 : 978-1087501178
Consuming Russia: Popular Culture, Sex, and Society since Gorbachev Adele Marie Barker (Editor), Eliot Borenstein (Contributor), Julia Friedman (Contributor), Adam Weiner (Contributor), Elizabeth Kristofovich Zelensky (Contributor), Robert Edelman (Contributor) With the collapse of the Soviet empire in the late 1980s, the Russian social landscape has undergone its most dramatic changes since the Bolshevik Revolution in 1917, turning the once bland and monolithic state-run marketplace into a virtual maze of specialty shops—from sushi bars to discotheques and tattoo parlors... (more) Paperback: 488 pages Publisher: Duke University Press Books (June 10, 1999) Language: English ISBN-10: 0822323133 ISBN-13: 978-0822323136
“A Powerless Seeker: Merezhkovsky’s Romance as Life-Writing” by Julia Friedman In Symbolism, its Origins and Consequences. Edited by Rosina Neginsky. Cambridge: Cambridge Scholars, 2010 Hardcover: 665 pages Publisher: Cambridge Scholars Publishing New edition edition (October 1, 2010) Language: English ISBN-10: 1443823929 ISBN-13: 978-1443823920
“The Writing-Drawing Continuum of Alexei Remizov,” by Julia Friedman "Elective affinities" - a notion originally borrowed by Goethe for his 1809 novel of the same title from eighteenth-century chemistry - here refers to the active role of the two partners in the relationship of the pictorial and the verbal... In In Elective Affinities: Word & Image Interactions 6, 2008 Edited by Catriona McLeod, Véronique Plesch and Charlotte Schoell-Glass. Amsterdam and Atlanta: Rodopi Paperback: 422 pages Publisher: Rodopi (June 20, 2009) Language: English ISBN-10: 9042026189 ISBN-13: 978-9042026186
“Alexei Remizov’s Creative Act,” by Julia Friedman. Edited by Maurice Geracht and Frédéric Ogée. In Interfaces: Image Text Language, vol. 29, 2010
Julia Friedman- Classicism by Decree: “Making Federal Buildings Beautiful Again” December 9, 2020Athenaeum Review, Issue 5, Winter 2021 The Winter 2021 issue of arts and humanities quarterly Athenaeum Review is out on newsstands. Its Current Affairs section contains my essay “Classicism by Decree” (pp. 148–155) about an attempted change in the aesthetic direction of federal architecture in the US. Since 1962, the General Services Administration (the same […]jfriedman
- PANEL DISCUSSION: THREE TAKES ON THIEBAUD December 4, 2020Moderated by Crocker Art Museum Associate Director & Chief Curator Scott A. Shields, Ph.D., this informative discussion between three people connected to Wayne Thiebaud will center around insights and unique experiences. Join the artist’s daughter, model, and writer Twinka Thiebaud; painter and professor Hearne Pardee; and critic and art historian Julia Friedman, Ph.D., for a singular program on Thiebaud and his […]jfriedman
- Philip Guston (Not) Now: the Impact Argument November 27, 2020It is telling that among ten contributions to the catalogue by contemporary artists whose work has been influenced by Guston, three dealt specifically with the “sensitive” references. Two of these were penned by African American artists— Trenton Doyle Hancock and Glenn Ligon, who, far from being offended by Guston’s allusions to the KKK, found them […]jfriedman
- Wayne Thiebaud’s “100 Year Old Clown” November 15, 2020According to Wayne Thiebaud, his latest painting, which he cheekily named “100 Year-old clown,” is the summation of his clown series that has been in the works for the last five years. “Clowns” will be exhibited at the Laguna Art Museum December 6, 2020–April 4, 2012. Wayne Thiebaud, 100 Year-old Clown, 2020 Oil on canvas, 18 x 14 inches […]jfriedman
- In Defense of Lecturing: Ruth Bader Ginsburg and Vladimir Nabokov October 16, 2020Here is a recent article I wrote after the passing of Justice Ruth Bader Ginsburg was just published by the Athenaeum Review. Ginsburg credited this dexterity, and her understanding that language is more than a tool for communicating the semantic meaning, to the time she was an undergraduate at Cornell, where she attended the lectures […]jfriedman
- The power of images August 29, 2020An article for The New Criterion co-authored with friend and colleague Professor David Hawkes. It was recently republished in the New Discourses. “The most ruthless, radical fringes of all great revolutions have drawn much of their initial support from more peaceful, moderate parties. They have also been unvaryingly efficient at eliminating their erstwhile allies once […]jfriedman
- On George Orwell and J.K. Rowling July 5, 2020My latest contribution to The New Criterion is about what we can (and should) learn from George Orwell’s 1945 essay “Politics and the English Language.” Ed Ruscha, Words…, 1987, acrylic on canvas, 64 x 64 inches. © Edward J. Ruscha IV “The present degradation of political discourse is buttressed by the decline of language. This decline […]jfriedman
- Classicism by Decree: “Making Federal Buildings Beautiful Again” December 9, 2020
-
