My latest article for The New Criterion explores how one of Vermeer’s iconic paintings known for its minimalist subtlety, was, in fact, didactic and obvious. The “Girl Reading a Letter At an Open Window,” now in Staatliche Kunstsammlungen Dresden, originally contained an image of a giant Cupid painting on the back wall. The Cupid was overpainted after […]
Tags:
Art History,
conservation,
cupid,
iconography,
Johannes Vermeer,
painting,
punctum,
School of Delft,
Staatliche Kunstsammlungen Dresden,
studium,
visual poetry Comments Off on On “A ‘new’ Vermeer in Dresden” |
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Camille Paglia’s latest book is the very definition of protean. The eight sections of this seven-hundred-page volume, fittingly titled Provocations, cover popular culture, film, sex/gender/women, literature, art, education, politics and religion. Paglia, who calls herself “pro-pop and pro-sex,” has also proven a fierce advocate of the canon, which for her encompasses the best of civilization. Those familiar with her writings will know that this breadth is not an indication of some egomaniacal attempt at a “theory of everything,” but a sensible shortcut to sorting out decades of writing on an expansive range of subjects. After all, the author’s scholarly maiden voyage—Sexual Personae (1990)—was another seven-hundred-page tome that addressed the continuity of Western culture through an analysis of sexuality and eroticism in art. Intellectual ambition is still Camille Paglia’s middle name.
Tags:
#MeToo,
Alan Greenspan,
Art and American Culture,
Ayn Rand,
Camille Paglia,
Higher Education,
Provocations,
Robert Hughes,
Scandal,
Scholarship,
Sex,
Sexual Personae,
Vamps and Tramps,
Vladimir Nabokov Comments Off on Scholars and Scandals |
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