Abstraction x 4

In early March, The New Criterion published “A Cleaner Slate”—my review of four exhibitions of abstract painting: “Paul Mogensen” at Blum & Poe, Los Angeles, “Gerhard Richter: Cage Paintings” at Gagosian, Beverly Hills, “Stanley Whitney: How Black is That Blue” at Matthew Marks, Los Angeles and “Jim Isermann: Hypercube” at Praz-Delavallade, Los Angeles.