“Care is control”
In this response to artist Josh Kline’s essay on the state of American art, I take a closer look at the idea that the art world has recently fallen into crisis. Kline argues that today’s system is no longer able to support artists in meaningful ways. I question that view by looking at the history of modern art and its institutions. From Soviet Constructivism and the WPA to the rise of Abstract Expressionism during the Cold War, art has always depended on political, economic, and institutional support. Rather than seeing current tensions as evidence of a broken system, I argue that they are a longstanding feature of cultural life. The essay challenges common assumptions about artistic independence and asks whether the art world was ever as autonomous as many people imagine.
