From Sfumato to Ganzfelds
The Honarkar Foundation just published a catalogue for their current exhibition LUMINARIES OF LIGHT: PIONEERS OF CALIFORNIA LIGHT AND SPACE MOVEMENT curated by Genevieve Williams.
My essay “From Sfumato to Ganzfelds” argues that in order to remove the barriers between the art and its audiences, California Light and Space artists relied on the same four optical modes as the Renaissance painters. Sfumato, chiaroscuro, unione, and cangiantismo are all represented in the works of Peter Alexander, De Wain Valentine, James Turrell, Helen Pashgian, Doug Wheeler, Robert Irwin, and Larry Bell.
The catalogue is available for preorder on the Foundation website.