Archive for the ‘Wayne Thiebaud’ Category

Wayne Thiebaud 100 Catalogue essay

Wayne Thiebaud 100: Paintings, Prints, and Drawings, is a forthcoming catalogue for the eponymous centennial exhibition at Sacramento’s Crocker Museum. In 1951 the Crocker also hosted Thiebaud’s first solo show entitled Influences on a Young Painter. My contribution to the volume is an essay “Nothing is Unimportant” that presents Thiebaud’s most recent circus-themed body of work, […]

The New Criterion article on Wayne Thiebaud’s Clown series

Wayne Thiebaud is about to reveal his most recent body of work: a selection of paintings and drawings from the new clown series will be on view starting December 8th at the Paul Thiebaud Gallery in San Francisco. In conjunction with the exhibition, The New Criterion just published “There ought to be clowns,”—a new article I […]

Wayne Thiebaud’s Clown Series: Hour of the Clown

About four years ago, Wayne Thiebaud, the nonagenarian painter best known for his still lifes and landscapes, began to depict what he calls “clown memories.” These works in progress presently include approximately fifty paintings, twenty drawings, and six etchings. They are a response to the outside world, as well as another new segment in Thiebaud’s decades-long […]