Posts Tagged ‘Clowns’

Wayne Thiebaud’s “Clowns”: exhibition tour

Last month, the Laguna Art Museum recorded my tour of Wayne Thiebaud’s “Clowns.” This exhibition includes over forty items that compose the painter’s latest circus-themed body of work. The show has been installed at the museum since early December 2020, but is yet to be opened to to public due to Covid-19 restrictions. In this […]

Wayne Thiebaud’s “Clowns”: catalogue essay

I am delighted to have had a chance to contribute an essay for the catalogue of Wayne Thiebaud’s Clowns exhibition at the Laguna Art Museum. You can purchase the catalogue in LAM’s online store.

Wayne Thiebaud’s “Clowns”: Online Lecture

Art historian Julia Friedman discusses the great California artist’s work, including his latest paintings currently on view in the exhibition Wayne Thiebaud: Clowns.

Wayne Thiebaud 100 Catalogue essay

Wayne Thiebaud 100: Paintings, Prints, and Drawings, is a forthcoming catalogue for the eponymous centennial exhibition at Sacramento’s Crocker Museum. In 1951 the Crocker also hosted Thiebaud’s first solo show entitled Influences on a Young Painter. My contribution to the volume is an essay “Nothing is Unimportant” that presents Thiebaud’s most recent circus-themed body of work, […]

The New Criterion article on Wayne Thiebaud’s Clown series

Wayne Thiebaud is about to reveal his most recent body of work: a selection of paintings and drawings from the new clown series will be on view starting December 8th at the Paul Thiebaud Gallery in San Francisco. In conjunction with the exhibition, The New Criterion just published a new article I wrote on the evolution […]

Wayne Thiebaud’s Clown Series: Hour of the Clown

About four years ago, Wayne Thiebaud, the nonagenarian painter best known for his still lifes and landscapes, began to depict what he calls “clown memories.” These works in progress presently include approximately fifty paintings, twenty drawings, and six etchings. They are a response to the outside world, as well as another new segment in Thiebaud’s decades-long […]