Chihiro Kabata at Gallery αM

Kabatatop

Gallery αM is holding a show of its MFA graduate Chihiro Kabata. The exhibition Stratosphere—Tracing the “Self” is curated by Masayuki Tanaka. It will open tomorrow, April 2nd and go on through May 7.

I wrote about Kabata’s ball point pen paintings and sculpture on several occasions (see blog archive), and I am delighted to see the recognition she is beginning to receive. The artist’s work is now featured in the MOT group exhibition Nearest Faraway (on view through May 8th). Her first international solo show (which I curated) is forthcoming just a few days after the αM Gallery opening: it will be held at the Institute of Contemporary Art in Singapore April 8th–May 7th.

Taka Ishii Gallery Roppongi

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Shomei Tomatsu
The Pencil of the Sun, 1971 / 2010
ink-jet print
100 x 70.94 cm

Shomei Tomatsu

Dates: April 16 – May 21 [Golden Week Holidays: May 1-5]

Location: Taka Ishii Gallery Photography / Film (Roppongi, Tokyo)

 

Taka Ishii Gallery Photography / Film is pleased to announce the exhibition of Shomei Tomatsu’s work from 16 April to 21 May. As this is Tomatsu’s debut exhibition with the gallery, we will be presenting a wide range of work; large scale digitally printed photographs previously exhibited in Shomei Tomatsu – The Chiseling of Time at the Nagasaki Prefectural Museum (2010), as well as a selection of several vintage prints.


Photography is a medium brought together through a process of decision-making. First of all, I select the camera, lens, and the light-sensitive material. I select the subject. I select a portion of an endlessly vast space, and crop it. I determine the date and time, and select the light and wind. I select an angle. Then I select an opportunity. I select a few images from the contact sheets, enlarge them and then select one from that selection, and then we arrive at the exhibited piece. A photographer doesn’t offer treatment like a doctor, doesn’t analyze like an academic, and doesn’t support like a priest. Neither do we invite laughter like a comedian, or intoxicate like a singer. A photographer just keeps looking. The whole process concludes in looking and selecting—that is a photographer.

Shomei Tomatsu ‘The Chiseling of Time: 60 Years of Tomatsu Shomei’
The Nishinippon Shinbun, The Nishinippon Shimbun Co.,Ltd., Jul. 5, 2010


The exhibition is comprised of a selection of works from a wide timeframe, ranging from the late 1950s to more recent years. The year, location and subject may vary; however, the tension unique to Tomatsu’s work and his particular sense of composition results in a consistency visible throughout. Tomatsu’s practice bridges prewar photography and the contemporary, whilst exploring the most extreme possibilities of photographic expression.

 

 

This Saturday: Shirokane Art Complex Joint Exhibition

Shuffle

Kodama Gallery, Nanzuka UndergroundYamamoto Gendai and London Gallery will be welcoming you to “Shuffle,” Shirokane Art Complex joint Exhibition. The reception will be held April 2, 5 to 8. 

 

Yuichi Sugai at Art Statements Tokyo

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Yuichi Sugai installation view. Image courtesy of the gallery.

Art Statements Tokyo went ahead with the planned (then postponed) opening of Yuichi Sugai’s show. For more information visit the gallery website. The show will stay on through April 16th.

Taka Ishii Gallery Kyoto

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Nakaji Yasui, (Gaze), 1931, Gelatin silver print

Nakaji Yasui at Taka Ishii Gallery Kyoto

March 25 – May 7, 2011

Opening reception: Friday, March 25, 18:00 – 20:00

Nakaji Yasui was active between the 1920s until the early 1940s, and worked primarily in West Japan; he is known as one of the leading figures in Japanese photographic history. During the early period when Japanese photography began to follow global tendencies, Nakaji Yasui enthusiastically engaged with new art theories, considering at an extremely in-depth level how these theories could be relevantly expanded into Japan at the time. Exerting a significant impact on notable contemporary photographers such as Daido Moriyama, Yasui’s extent work provides an important viewpoint in considering the wider spheres of not only photography, but modern artistic practices. In comparison to his contemporaries, he did not produce many works in his lifetime, and only a limited number of prints exist today. However, with the portfolio—in addition to his representative work, Displaced Jews and the Yamane Circus series—we have included thirty modern prints that narrate the photographer’s wide experimentation. This exhibition seeks to reveal a full, vivid portrait of Nakaji Yasui and the essence of his honed art. Also, with the assistance of Nakao Yasui, we will be specially exhibiting an original copy of the collotype printedNakaji Yasui Complete Works (1942), published immediately after his death.

This exhibition features 30 works included in Nakaji Yasui Portfolio, published by Taka Ishii Gallery in Autumn 2010.

Nakaji Yasui Portfolio
Publication: Taka Ishii Gallery 
Editorial Supervision: Yuri Mitsuda (Curator at The Shoto Museum of Art) 
Cooperation: Nakao Yasui and Hyogo Prefectural Museum of Art 
Print Production: Kazuyoshi Hidai (GINYUDO) 
Number of Works: Total of 30 pieces 
Print size: 432 x 356 mm 
Publication Edition of 15 
Essays, commentary and biography are included 
Retail price: ¥ 1,500,000- (excl. tax)

Tokyo Art Fair Postponed

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Dear Press,

First of all, we would like to extend our sincere condolences and prayers to all those who may be suffering due to the effects of the Great Tohoku-Kanto Earthquake.

ART FAIR TOKYO informs that we have decided to postpone ART FAIR TOKYO 2011 that was originally scheduled from April 1 through April 3 (Preview: March 31).

 Although we announced on March 14 that we would go ahead with the fair, the situation in Japan has still remained unsettled for the last few days.

On March 22, Tokyo International Forum was specified by The Tokyo Metropolitan Government to open their space as a shelter for evacuees affected by the earthquake,

and ART FAIR TOKYO Committee sees its situation difficult for the fair to be held at the Tokyo International Forum. As for that, ART FAIR TOKYO 2011 will be postponed.

More details on the postponed holding will be announced as decided.

 We deeply apologize that we might have caused inconvenience to all of you who have already covered and arranged the articles of ART FAIR TOKYO 2011.

In the meantime, invitations, advance tickets, and discount tickets already issued and distributed can be used at the postponed holding. 

If you have any further questions, please feel free to contact us at anytime.

Thank you so much for your generous concerns, understanding, and continued support towards ART FAIRTOKYO 2011.

 

Yours Sincerely,

ART FAIR TOKYO Committee

 

Update on the Mori Museum Show

Mori Art Museum would like to announce the dates of the exhibitions “French Window” and “MAM Project 014” have been changed. Both will now commence from Saturday, 26 March. 

As a mission, we believe that the museum should be a place that encourages many as to enrich their lives spiritually, thereby decided to open the exhibitions. Some of the artworks comprising the “French Window” exhibition will not be shown at the beginning of the exhibition period, however, we are planning on adding more works, depending upon some circumstances.

The full dates for the exhibitions are as follows.

“French Window”/”MAM Project 014”
Saturday, 26 March to Sunday, 28 August 2011