Posted on March 2, 2024, 2:21 PM, by jfriedman, under
art history.
While the Whitney Museum of American Art’s webpage still defines the Whitney Biennial as “the longest-running survey of American art” (emphasis added), this year’s eighty-first installment will expand its reach well beyond the United States. The show includes artists from Chile, Britain, Korea, Indonesia, Canada, Hong Kong, Germany, Switzerland, Lebanon, Singapore, Mongolia, Finland, Sweden, Croatia, India, Mexico, and China. This mad dash for inclusivity is consistent with the theme of the 2024 Venice Biennale, “Foreigners Everywhere,” but, whereas Venice’s has always been an international affair, the Whitney’s has always been national, making it a radical departure.
On the recent spat between the critic Jerry Saltz & the artist Refik Anadol.
Xavier Hufkens gallery (Brussels) recently published a clip of an interview I conducted with Los Angeles-based artist Evan Holloway. The interview was conducted on the occasion of his upcoming exhibition Scry if you want to which runs February 10 through April 1, 2023. We discussed work which ranges from abstract relief paintings Enochian Tablets based in on the writings of 16th […]
Tags:
abstract painting,
Art Criticism,
Art History,
assemblage sculpture,
automatic drawing,
color theory,
enchain language,
esoteric art,
Evan Holloway,
Julia Friedman,
Xavier Hufkens Comments Off on Evan Holloway “Scry if you want to” exhibition interview |
Read the rest of this entry »
My review of the first book about the American art and culture critic Dave Hickey is out in Atheneum Review. Click on the image below to read the full text. Oppenheimer is the first writer to dedicate an entire book to Dave Hickey, who is now in his early eighties. Although Hickey made occasional public […]
LG Williams, Salaryman/Superman, 2011, installation view Tana’s director Tamura Williams’s Kyoto Gallery dealer Baron Osuna of Super Window Project (right) and Williams’s Tokyo Gallery dealer Tamura (left) Still independent curator Shai Ohayon and Beatriz Inglessis The SHIBUHOUSE gang from left to right: Nakajima-san (aka DOPE MAN), Toshikuni-san and TAIKI-SAN (the 3rd house leader) Tana’s latest […]
Tags:
303 Gallery,
Andy Kaufman,
Art,
Art Basel,
Art Criticism,
Art History,
Art Instruction,
artfair,
ARTFORUM,
Avant-Garde,
Banksy Punked,
Baron Osuna,
Beavis and Butthead,
Bosoms and Bottoms,
Bruce Nauman,
Chris Burden,
Coagula Art Magazine,
Contemporary Art,
Dada,
Dale Eldred,
Dave Hickey,
Dave Hollowell,
Dia Art Foundation,
Drawing Upon Art,
Father Guido Sarducci,
Fluxus,
Frieze Art Fair,
FUCKTHATGALLERY,
Funk Art,
Gagosian Gallery,
Gardner's Art Through The Ages,
Honolulu Weekly,
House Where The Bottom Fell Out,
Hunter S. Thompson,
John Arthur Jack Johnson,
John Belushi,
LG Williams,
lgofbeverlyhills,
Lisa Spellman,
Liste Art Fair,
Literary Criticism,
Los Angeles Art,
Mahabharata,
Mara McCarthy,
MOMA,
Museum of Modern Art,
Obey Punked,
Paul McCarthy,
PCP Press,
Perfect Corner Press,
Poetry,
Radiohead,
Super Window Project,
Tana Bookshelf Gallery,
Telephonebooth Gallery,
The Anonymous Auto Requiem Collective,
The Big Lebowski,
Theory of Art,
Thomas Paine,
Tokyo Weekender Magazine,
UACAWSACCADB.com,
Ubu,
Wally Hedrick,
Whitechapel Gallery,
Whitney Museum,
www.lgwilliams.com,
Yves Klein 1 Comment |
Read the rest of this entry »
